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EXCLUSIVE INTERVIEW - Emily Pulley (cont.)
And when folks here
feel a real connection to the art form, they become truly devoted and
ardent supporters. The arts couldn't survive without those
people, and
That kind of support
gives companies and artists the freedom to be creative and
strive to produce projects of great passion and high quality.
And I believe that will always be noticed, especially in
a time when so many companies are beginning to succumb to the
lure of smoke and mirrors rather than substance - or, as a
friend of mine puts it, "all sizzle, no steak."
AOS.com: What makes Dialogues of the Carmelites such an important work?
E.P.: For me, the most important
aspect of the piece is that it's based on a true story and
shows that good can indeed overcome evil - and that
surrendering your power can actually make you stronger.
Whatever your religious beliefs, the knowledge that these women
died for something greater than themselves - and that their
noble sacrifice was somehow able to penetrate the hardened
exterior of a bloodthirsty mob - really does give you hope for
humanity. Of course, the music is extraordinary, too, and I
think the characters reflect almost every aspect of our own
struggle with existential fear, and our need to rise above it
through love in order to achieve true freedom.
AOS.com: Since you have performed
the opera before, what should Austinites expect from this
production of the opera?
E.P.: I am extraordinarily proud of
this production. It has been a remarkably collaborative effort
from Day One, and I am thrilled with my colleagues and crew,
and their commitment to making this something special and
memorable. Each moment in the show has been worked and reworked
to try to give it maximum impact, so every ounce of energy the
audience is willing to invest in the piece will be duly
rewarded.
There is a lot of
profundity that's thrown at you pretty quickly, and the pace of
this production doesn't allow you the chance to process things
between scenes. So I think it's best to simply remain
alert and let yourself take it all in, and worry about figuring
it out later.
The final scene is
already inherently one of the most moving in all of opera, and
the staging our brilliant director has conceived is absolutely
breathtaking. I was overwhelmed the first time I saw it, and
continue to be amazed by it - and even more amazed that I'm
still able to sing at all after watching it!
Dialogues of the
Carmelites plays April 18th, 22nd, 24th and 26th at The Long
Center for the Performing Arts, located at 701 W. Riverside
Drive. Austin Lyric Opera's Principal Conductor Richard
Buckley will lead ALO's orchestra and stage director Eric
Einhorn will direct the production.
Single tickets are
currently on sale, starting at $20. For tickets
and information, call (512) 472-5992, toll free at (800)
31-OPERA, or visit www.AustinLyricOpera.org.
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AustinOnStage.com All rights reserved
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